Francesco Albani
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

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Francesco Albani Diana and Actaeon oil painting


Diana and Actaeon
1617(1617) Medium Oil on copper cyf
Painting ID::  80586
Francesco Albani
Diana and Actaeon
1617(1617) Medium Oil on copper cyf
   
   
     

Francesco Albani The Holy Family oil painting


The Holy Family
The Holy Familyx, oil on canvas Date 1630 - 35 cjr
Painting ID::  82266
Francesco Albani
The Holy Family
The Holy Familyx, oil on canvas Date 1630 - 35 cjr
   
   
     

Francesco Albani Apollo and Daphne oil painting


Apollo and Daphne
ca. 1615-1620 (1600-1625) Medium Oil on copper of panel Dimensions 17.5 x 35.5 cm (6.9 x 14 in) cyf
Painting ID::  82414
Francesco Albani
Apollo and Daphne
ca. 1615-1620 (1600-1625) Medium Oil on copper of panel Dimensions 17.5 x 35.5 cm (6.9 x 14 in) cyf
   
   
     

Francesco Albani Hermaphroditus and Salmacis oil painting


Hermaphroditus and Salmacis
Oil on copper of panel Dimensions 14 x 31 cm (5.5 x 12.2 in) cyf
Painting ID::  82452
Francesco Albani
Hermaphroditus and Salmacis
Oil on copper of panel Dimensions 14 x 31 cm (5.5 x 12.2 in) cyf
   
   
     

Francesco Albani The Baptism of Christ oil painting


The Baptism of Christ
xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg Date 1630 - 35 cjr
Painting ID::  82983
Francesco Albani
The Baptism of Christ
xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg Date 1630 - 35 cjr
   
   
     

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     Francesco Albani
     (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

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